Amy Sillman (b. 1955) is an important voice in American contemporary painting. Since the 1990s, she has consistently questioned the medium via drawing, printmaking and writing, as well as by making objects and animations. Sillman sees her painting as drawing that aspires to film or poetry. Many of her explorations through drawing revolve around complete devotion to processes of transformation which are open to inversion, redesign and examination. At the centre of the exhibition is Sillman’s treatment of time, and its compression or expansion.

The exhibition is dedicated to the outstanding work of Chaïm Soutine (1893–1943). His expressive works show shaky landscapes, slaughtered animals and people on the lowest rungs of society who were his models: Pages, chambermaids, cooks, altar boys.